![]() Albeit through crazy staged-performances meant to be an induction process for the nayi bahu, and family honeymoons, but it was still about love and family. It spoke of brotherly love and familial bonds. To say that the cauldron of all things Indian - Hum Saath Saath Hain - was regressive is wrong. The doe must die! (Photo: Wikimedia Commons) There was the evil stepmother angle, there was the exile, there was the denouncement of the position of vice president - the metaphorical throne - of the said empire, but there was, of course, no deer-hunting in the forest. Sure, the Ramas and Lakshmanas were now wearing suits, and Ayodhya was essentially a business empire. ![]() They re-imagined the Ramayana, but they didn’t deviate quite that much from the original story. It was a never-before-seen ensemble cast - Salman Khan, Saif Ali Khan, Karisma Kapoor, Sonali Bendre, Mohnish Behl, Tabu, along with Reema Lagoo and 'Bauji' Aloknath - which ideally should have remained unseen, but whoever said life is fair? It’s been nineteen years since Sooraj Barjatya’s most cruel weaponry was unleashed on us - Hum Saath Saath Hain.
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